![]() The ukulele's Hawaiian origins asan ornate small guitar to accompany beautiful island warblings was long ago warped by the Americanand British desire to use it to play drinking songs. It splits the quaint, strum-and-patter realmof the uke wide open by depicting dozens of musicians using the uke punkishly and experimentally, aseverything from neo-Dada to electronic innovations to potty-mouthed punk.These forward-thinking, far-out four-string-axe acts-found everywhere from Massachusetts to Kentuckyand especially (no surprise) California-include the distortion exercises of Williwaw, the ensembleaugmenters Steven Swartz and Alan Drogin of Songs from a Random House, uke modernists Uke Til UPuke and Ukefink, and skewed traditionalists like underground cartoonist Robert Armstrong, a co-founding member of R. There was a how-to-play-uke instructionfilm.And then there was the recent documentary Rock That Uke. The Expo also showed a British comedy starring George Formby, a goofy uke-strumming1930s British naughty-naïf predecessor of Pee Wee Herman. 8-10 at Rhode IslandCollege in Providence, screened several films that cut to the heart of the debate.Stanley's Gig is a nostalgic tale of a sad little man whose life is redeemed by the enjoyment of theukulele. A new breed of punks has brought revolution, raw roots andcultural controversy to the uke community.The third annual Ukulele Expo 2003, hosted by the Ukulele Hall of Fame Aug. Now that punk itself is theĢprovince of hit-making conglomerates and prefab teen sensations, where can we turn for some gutsy,unadulterated chords that don't remind us of the crap on the radio?I say it's the ukulele, and I'm not alone. That's what punk rock was supposed to be doing when it reduced disco to rubble in the late 1970s by bypassing studio savvy in favor of rootsy strumming and hoarse vocals. But even without that sort of overkill, it's possible to take this seminal '60s psychedelic rave-up and turn it, using a laughable instrument no bigger than your forearm, into something savagely sparse, stirring and psychotic. This doesn't take into account the awesome keyboard riff, which I'm now trying to work out on harmonica for a truly disturbing one-man-band rendition. Playing the song on a ukulele-that rinky-tink toy instrument beloved by Hawaiians and music hall maniacs with bad teeth-you can wake this restless monster up gently with a quaint strum, then by the second verse start slamming the strings with more abandon, until by the end of the song you're scraping and scratching the barest and brashest notes out of the instrument like a demented Dashboard Confessional car crash. In the original 1966 recording by ? and the Mysterians, the song gets its menace from a driving organ riff and psychedelic Tex-Mex guitar swirls. Augby Christopher Arnott New Haven Advocate The guitar part to the garage classic \"96 Tears\" has four chords: two for the verse and two for the revenge-rant \"when the sun comes out, I'll be on top\" bridge. 51 52 D 95 G 96 53Honey, D 97 G 98 54Oh, Sugar, Sugar.Bill Beckett This 1993 photo captures notable New Haven hardcore stalwart Jim Martin, of Broken and Malachi Punk Uke The four-string Underdog rudely rocks. D 89 G 90 A 91 49You are my candy girl, D 92 G 93 A 94 50and you got me wanting you. 35 36 D 64 G 65 37Oh, Sugar -Pour little sugar on me honey- D 66 G 67 38Pour little sugar on me baby D 68 G 69 D 70 G 71 39I'm gonna make love so sweet -hey hey yeah- D 72 G 73 A 74 40Pour little sugar on me -oh yeah- D 75 G 76 41Pour little sugar on me honey D 77 G 78 42Pour little sugar on me baby D 79 G 80 D 81 G 82 43I'm gonna make love so sweet -hey hey yeah- D 83 G 84 44Pour little sugar on me honey 45 46 D 85 G 86 47Ah, Sugar, D 87 G 88 48Oh, Honey Honey. D 61 G 62 A 63 34-Pour your sweetness over me. ![]() D 55 G 56 D 57 32-I know how sweet a kiss can be- D 58 C 59 D 60 33Like the summer sunshine pour your sweetness over me. 29 30 D 52 C 53 D 54 31When I kissed you girl, I knew how sweet a kiss could be. D 48 G 49 A 50 27You are my candy girl D 51 28and you got me wanting you. D 37 G 38 A 39 21You are my candy girl, D 40 A 41 G 42 A 43 22and you got me wanting you. D 30 G 31 A 32 16-I just can't believe it's true. ![]() ![]() ![]() D 27 C 28 D 29 15I just can't believe the wonder of this feeling too. D 24 G 25 D 26 14-I just can't believe it's true. 11 12 D 21 C 22 D 23 13I just can't believe the loveliness of loving you. D 17 G 18 A 19 9You are my candy girl D 20 10and you got me wanting you. 5 6 D 13 G 14 7Honey, D 15 G 16 8Oh, Sugar, Sugar. D 6 G 7 A 8 3You are my candy girl, D 9 A 10 G 11 A 12 4and you got me wanting you. DO NOT SHOW ADS Interlude -x2-: D 0 G 1 0 D 2 G 3 1Sugar, D 4 G 5 2Oh, Honey Honey. ![]()
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